Chants

script · sound · sense


To Śivā and Śiva

Namaḥ Śivāyai ca Namaḥ Śivāya · Sanskrit · the refrain of the Ardhanārīśvara Stotram


नमः शिवायै च नमः शिवाय

Namaḥ Śivāyai ca Namaḥ Śivāya

Salutations to Śivā — the Goddess — and salutations to Śiva.


The Threefold Refuge

Tisaraṇa — the refuge taken three times · Pāli · the Theravāda canon


बुद्धं सरणं गच्छामि

Buddhaṃ saraṇaṃ gacchāmi

To the Buddha I go for refuge.

धम्मं सरणं गच्छामि

Dhammaṃ saraṇaṃ gacchāmi

To the Dhamma — the Teaching — I go for refuge.

सङ्घं सरणं गच्छामि

Saṅghaṃ saraṇaṃ gacchāmi

To the Saṅgha — the Community — I go for refuge.

दुतियम्पि बुद्धं सरणं गच्छामि

Dutiyampi Buddhaṃ saraṇaṃ gacchāmi

For a second time, to the Buddha I go for refuge.

दुतियम्पि धम्मं सरणं गच्छामि

Dutiyampi Dhammaṃ saraṇaṃ gacchāmi

For a second time, to the Dhamma I go for refuge.

दुतियम्पि सङ्घं सरणं गच्छामि

Dutiyampi Saṅghaṃ saraṇaṃ gacchāmi

For a second time, to the Saṅgha I go for refuge.

ततियम्पि बुद्धं सरणं गच्छामि

Tatiyampi Buddhaṃ saraṇaṃ gacchāmi

For a third time, to the Buddha I go for refuge.

ततियम्पि धम्मं सरणं गच्छामि

Tatiyampi Dhammaṃ saraṇaṃ gacchāmi

For a third time, to the Dhamma I go for refuge.

ततियम्पि सङ्घं सरणं गच्छामि

Tatiyampi Saṅghaṃ saraṇaṃ gacchāmi

For a third time, to the Saṅgha I go for refuge.


The Lord's Prayer

Abun d-bashmayo · Aramaic (Syriac Peshitta, Matthew 6 : 9–13) · English: the traditional Our Father


ܐܒܘܢ ܕܒܫܡܝܐ

Abun d-bashmayo

Our Father, who art in heaven,

ܢܬܩܕܫ ܫܡܟ

Nethqadash shmokh

hallowed be thy name;

ܬܐܬܐ ܡܠܟܘܬܟ

Tithe malkuthokh

thy kingdom come,

ܢܗܘܐ ܨܒܝܢܟ ܐܝܟܢܐ ܕܒܫܡܝܐ ܐܦ ܒܐܪܥܐ

Nehwe sebyonokh, aykano d-bashmayo oph b-ar'o

thy will be done, on earth as it is in heaven.

ܗܒ ܠܢ ܠܚܡܐ ܕܣܘܢܩܢܢ ܝܘܡܢܐ

Hab lan lahmo d-sunqonan yawmono

Give us this day our daily bread,

ܘܫܒܘܩ ܠܢ ܚܘܒܝܢ ܐܝܟܢܐ ܕܐܦ ܚܢܢ ܫܒܩܢ ܠܚܝܒܝܢ

W-shbuq lan hawbayn, aykano d-oph hnan shbaqn l-hayobayn

and forgive us our trespasses, as we forgive those who trespass against us;

ܘܠܐ ܬܥܠܢ ܠܢܣܝܘܢܐ ܐܠܐ ܦܨܢ ܡܢ ܒܝܫܐ

W-lo tha'lan l-nesyono, elo fason men bisho

and lead us not into temptation, but deliver us from evil.


To Kālikā

Oṃ Krīṃ Kālikāyai Namaḥ · Sanskrit · the single-seed Kālī mantra


ॐ क्रीं कालिकायै नमः

Oṃ Krīṃ Kālikāyai Namaḥ

Oṃ. Krīṃ. Salutations to Kālikā.


The First Enochian Call

Ol sonf vorsg · the Angelic tongue · John Dee & Edward Kelley, 1583


Ol sonf vorsg, goho Iad Balt,

I reign over you, declares the God of Justice,

lonsh calz vonpho:

exalted in power above the firmaments of wrath,

sobra z-ol Ror i ta Nazpsad Graa ta Malprg:

in whose hands the sun is as a sword, and the moon as a piercing fire;

ds holq Qaa nothoa zimz,

who measures your garments in the midst of my vestures,

od commah ta nobloh zien:

and gathered you together as the palms of my hands;

soba thil gnonp prge aldi, ds vrbs oboleh grsam.

whose seats I adorned with the fire of gathering, and made your garments beautiful with wonder.

Casarm ohorela caba Pir ds zonrensg cab erm Iadnah.

To you I gave a law to govern the holy ones, and delivered a rod with the ark of knowledge.

Pilah farzm znrza adna gono Iadpil

Moreover, you lifted up your voices and swore your allegiance to him who lives and triumphs,

ds hom toh,

whose beginning is not, nor shall his end ever be;

soba ipam, lu ipamis, ds loholo vep zomd poamal,

who shines as a flame in the midst of your palace,

od bogpa aai ta piap piamol od vooan

and reigns among you as the balance of righteousness and truth.

Zacare ca od zamran:

Arise, therefore, and show yourselves;

Odo cicle Qaa:

open the mysteries of your creation;

Zorge:

be gracious to me,

Lap zirdo noco Mad, hoath Iaida.

for I am the servant of your God, the true worshiper of the Most High.


Sources & Notes


To Śivā and Śiva. This is the refrain that closes every verse of the Ardhanārīśvara Stotram, the hymn to the half-woman, half-man form of Śiva traditionally attributed to Ādi Śaṅkarācārya — "… dhammillakāyai ca jaṭādharāya namaḥ śivāyai ca namaḥ śivāya." The whole force of it is grammatical: śivāyai is the feminine dative — "to Śivā," the Goddess — and śivāya the masculine dative — "to Śiva." One name, declined twice, so the salutation lands on both faces at once, which is precisely what the Ardhanārīśvara form depicts. The masculine half of the pair is the ancient Pañcākṣara, the five-syllable na-maḥ-śi-vā-ya of the Śrī Rudram (Kṛṣṇa Yajurveda, Taittirīya Saṃhitā). Set in Devanāgarī; transliteration in IAST.

The Threefold Refuge (Tisaraṇa). The refuge-formula of Theravāda Buddhism, chanted three times — the second and third rounds prefixed dutiyampi ("for a second time") and tatiyampi ("for a third time"). It is recited in Pāli, the canonical language of the earliest surviving Buddhist scriptures. Pāli has no script of its own; it has always been written in whatever local alphabet its readers used (Brāhmī, Sinhala, Thai, Burmese…). It is set here in Devanāgarī for legibility, with the transliteration in the scholarly IAST convention.

The Lord's Prayer. The script is the Classical Syriac of the Peshitta (Matthew 6 : 9–13) — the Aramaic of the ancient Syriac churches, the closest living liturgical descendant of the Aramaic that Jesus himself spoke (not the New-Age paraphrase "Abwoon d'bashmaya"). The consonantal Syriac carries minimal vowel-pointing; the transliteration follows West-Syriac vocalisation, in which the long ā is sounded o — hence Abun d-bashmayo. Read right-to-left. The English is the traditional Catholic "Our Father" (public domain). A note on "forgive us our trespasses": the Peshitta here reads ḥawbayn / ḥayyābayn, both from one root — and the Aramaic word ḥawbā means both "debt" and "sin" at once, sin conceived as a debt owed to God. So "trespasses," the Greek "debts," and "sins" are three English faces of a single Aramaic idea. (The Syriac churches' sung Our Father spells it out as "debts and sins," but that doubling is a later liturgical expansion, not the Peshitta scripture text.)

To Kālikā. The standard single-seed mantra of the goddess Kālī. Krīṃ is a bīja — a seed-syllable, held to be the sound-body of the goddess rather than a word with a dictionary sense, and so it is left untranslated. Kālikāyai is the feminine dative of Kālikā, "to Kālikā" — the same case, and the same gesture, as śivāyai above. Unlike the Refuge or the Rudram, seed-mantras of this kind belong to the Tantric transmission rather than to a single fixed scriptural chapter; it is widely current in practice and cited across the Kālī literature, and no one verse is claimed for it here.

The First Enochian Call. The first of the forty-eight "Keys" of the Angelic (Enochian) language received by Dr. John Dee and Edward Kelley in 1583. The transliteration is from Dee's manuscripts (as reproduced in Aleister Crowley's Equinox). The English here is a fresh rendering in a plain, formal register, adapted from Dee's own Elizabethan translation (e.g. "saith"→"declares", "admiration"→"wonder"). Script and English correspond by sense-phrase, following Dee's own clauses — not strictly word-for-word, since the received translation does not map one-to-one onto the Enochian, whose vocabulary is itself only partly understood. Dee wrote the script right-to-left; it is shown here left-to-right to sit beneath its transliteration.

Order. The two Sanskrit invocations frame the older material: Śivā-and-Śiva opens, and Kālikā stands immediately before the Enochian Call. Both are marked for eleven repetitions, with a tap-counter for keeping the round.

Type. Body: the reader's system serif. Devanāgarī: Noto Serif Devanagari. Syriac: Noto Sans Syriac (both SIL Open Font License). Angelic: Enochian (Plain), Digital Type Foundry, 1992 — freeware, non-commercial, after the specimen in The Equinox. All three are subsetted to the glyphs actually used on this page.